I have often marveled at writers who could create beautiful stories from adversity–powerful works of art exhibiting the dignity of creativity under duress. I have also often wondered if guardians of this sacred space, those who protect it from wrathful oblivion, can ever fully enter it without the sense of an outsider observing from a nearby plateau. I suspect the protectors would do well to accept their fate, taking satisfaction in the space created for art, and knowing the artists and their work.
As a guardian, I can see the beauty in the choreography and narrative of creating this space, yet fail to see how to express this other than in the acts of doing so. Some are more gifted than I.
Yet, the patterns and relationships that emerge from collaborations in protecting sacred space reflect a harmonious arrangement of vital if not visible dimensions. Depending on awareness, this visibility of the symbiotic relation between useful art and its protectors can be preserved in archival creations often unimagined outside sacred societies. Communicating this story is not easy.
The library is dedicated to the memory of Secwepemc Chief George Manuel (1921-1989), to the nations of the Fourth World and to the elders and generations to come.access here